A Whore for the Gore
Peaches Christ / image: Jose Guzman Colon
What better date than Friday 13th to reveal the details (with some surprises still withheld) of the International Premiere of All About Evil; the directorial feature debut of cult horror hostess, Gore Couture icon and director Peaches Christ / Joshua Grannell. Appearing at Cornerhouse as part of Abandon Normal Devices (1 - 7 October), tickets will very soon be on sale - and are set to disappear just as quickly! I'm looking for contributors, volunteers and flat-out fabulous audience members, so read all about it, see some advance snapshots, roll the VT and get in touch!
The Rose
Caroline Parker: The Rose
I first saw Caroline Parker performing as Caro Sparks at the DaDaAwards 09, telling filthy jokes from the perspective of a deaf woman (let's just say it touched upon noisy sex), delivering an unexpected treat with her comic signed performance of the Kate Bush classic, Wuthering Heights. It was in direct response to that performance that I approached Ruth Gould at DaDa to explore the potential for deaf and disabled video art in public space, although I couldn't have imagined that twelve months later we would be unveiling four new works as part of DaDaVisions.
Caroline Parker: The Rose
With additional support from Arts Council England, for her contribution Caroline chose to perform The Rose by Bette Midler, minus the infamous music bed. Famously satirised using perfunctory sign in the cult movie Napoleon Dynamite, Sparkle Media added augmented images paired with gesture and movement – marrying visual with non-verbal language to release a world otherwise hidden to hearing viewers.
All four films are now appearing on the BBC Big Screens in Liverpool, Manchester, Leeds, Bradford, Rotherham, Derby, Cardiff, Swansea, Portsmouth, Plymouth, Bristol, Swindon, Dover, Waltham Forest (London), Greenwich Arsenal (London), Norwich, Middlesbrough, Edinburgh.
Portrait of the Artist by Proxy
Alison Jones: Portrait of the Artist by Proxy
If you could never see your own reflection again, would you trust others to describe your appearance? Alison Jones has done just that for DaDaVisions with Portrait of the Artist by Proxy. Originally commissioned as a sonic artwork by the Bluecoat in Liverpool, we recruited the talents of Sparkle Media to create a deliberately offbeat approach to standard subtitles. The end result maintains a key emphasis upon the audio emitted via the screen speaker system.
Alison Jones: Portrait of the Artist by Proxy
In this way the viewer/listener has to switch sensory emphasis just as Alison must as it is impossible to follow the descriptive portrait by reading the text alone. The point-of-view dips, spins and curls across a landscape of 3-D typography, lingering upon key words as multiple voices share consensus, or becoming impossible to scan as the soundscape dissolves into whispers.
Pixie Dust
Gina Czarnecki: Pixie Dust
Gina Czarnecki's films and installations are informed by human relationships to image, disease, evolution, genetic research and by advanced technologies of image production. Pixie Dust blurs contemporary methods in scientific research – specifically, limb regrowth in salamanders and the harvesting of embryonic stem cells from pigs for use in human medicine.
Gina Czarnecki: Pixie Dust
Taking the form of a scientific televised report, observers will be drawn by the implicit ambiguity that appears to suggest the future has already arrived. What if those missing limbs through birth or accident were able to regrow, augment and fine-tune their bodies… becoming super-able? A DaDaVisions commission.
Who Do You Think You Are?
So Many Excuses: Who Do You Think You Are?
...here comes DaDaVisions, a brace of opinionated new screen commissions developed right here in the North West and soon to appear upon TWENTY giant outdoor screens across the UK. Launching as a new strand of DaDaFest, four new artist film and video projects will face-slap shoppers with subversive and alternate interpretations of disability. I'll be posting further information upon each as the week progresses.
So Many Excuses: Who Do You Think You Are?
First up is influential agit-prop trio No Excuses, once fond of chaining themselves to buses to chant "Piss on Pity" and now reformed as So Many Excuses. Mandy Colleran, Mandy Redvers-Rowe and Ali Briggs (who some may recognise as Freda in Coronation Street) have revisited the classic Frost Report sketch from the 1960s featuring the Two Ronnies and John Cleese.
Then a comment upon the British class system but now playfully adapted to explore the stereotypes and labels that the disabled place upon each other, Who Do You Think You Are? is written and performed by SME, produced by Asta Films with vintage styling expertise by Maria Lloyd.
Inspire Mark
After sitting on this like a constipated hen for the past few weeks, I can now go public that Unsilent Night is one of the projects granted the London 2012 Inspire Mark which recognises exceptional and innovative projects inspired by the 2012 Games.
In this case, the association is through our work in throwing open the cupboard upon a wealth of archive film, pulling off kid gloves in fusing old with new and encouraging investigation of early cinema by stepping outside (literally) of the multiplex experience.