Bren O’Callaghan A Runaway at the Media Circus!

28Apr/11

The Royal Couple

27Apr/11

Electrostitch

A smashing day was spent in Mandy’s attic studio, perched atop an empty, disused old folk’s home in South Manchester (complete with stair lift if feeling weary on the way up), quaffing pints of blackcurrant squash, listening to the harmless waffle of Radio 2 and making good progress for our Re-Covering submission. Dona Rosalinda is finally taking shape. I found the automated machine both hypnotic and unexpectedly aggressive as it hammered the pattern into place, despite the near-invisible threads.

Mandy had sourced some cinched black trimming that buckled and twisted in the palm like a fortune telling fish, spraying a wicked, radial halo around the head of the sinful sorceress and springing outwards for a 3D effect. This we decided to supplement with some teardrop pearls to contradict any sense of undeserving austerity (this Mother Superior is a voluptuary after all, certainly no virgin), her skin a chocolate mocha, crossed fingers dipped in scarlet varnish and crowned with oversized jewels.

We were keen on suggesting that the backing cloth used in the creation of the icon had been illicitly filched from the nursing home in the novel, wishing to place a stamp of ownership along the lines of ‘All bedding belongs to the Well of Light Brotherhood’, but it became clear that due to the small scale, none of the stitched typefaces would be legible. Instead, using a miniature stamp pad, we were able to achieve the same institutional effect on a test scrap but will need to ensure the ink has opportunity to dry.

The reverse will also feature a cloud of twisting, enchanted vapour upon which will be laid Dona Rosalinda’s personal crest: a split and dripping pomegranate. Once under the needle, the suede purple fabric rucked and twisted, distorting the hide to create a perfectly-pocked honeycombed surface – partly intentional, but largely by happy accident. Both frosted and clear glazed beads to mimic seeds in red and raspberry hues will be sewn into the flesh, others tumbling out to form a twinkling spillage.

Part 1Part 2 / Part 3 / Part 4

19Apr/11

Chica bonita

As the deadline approaches for Re-Covering, work has begun on creating a cloth envelope to contain the rectangle of wood provided by the Untitled Gallery, itself cut from the furniture of a defunct library. I'm assuming that most other contributors will be working directly upon this, but we wanted to fetishise and play with the notion of an object-icon imbued with power and mystery. With this in mind, the calico sleeve is similar in look and texture to grave wrappings, a viewing and touch point exposed to reveal the wood beneath. This came about because when we received the block it had been previously damaged or knocked, but which had the adverse effect of making the area in question more fascinating and tactile than if blandly uniform and squared-off.

Here you can see the area in question, which will form the side of the Un-Orthodox icon of our unholy nun, functioning like a window upon a casket of bone or scrap of withered flesh. The intention is that anyone handling the piece will want to rub the exposed and uneven wood; perhaps for luck, desire or to channel forbidden powers. The fabrics alongside are coloured suede - the purple will form part of Dona Rosalida's crest upon the rear, that of a split pomegranate decorated with hand-beaded seeds, while the blue will become a swirling backdrop of Musc de Madelaine, a vapourous aphrodisiac and source of her power. Mandy and I also intend to add a care instructions label, 'All bedding is property of The Well of Light Brotherhood', as if the elderly residents of the nursing home in the novel had cannibalised a bed sheet in making the piece.

Here you can see Mandy's Ferrari of a computerized sewing machine with multiple needles, working on creating the spine title stitched direct to leather, later trimmed to form part of the wider patchwork entirety. As for the cover portrait itself, although nesting dolls and religious art remain an influence, we've decided to lean more heavily toward souvenir Spanish flamenco dolls as they possess that same, dark-browed passion and exaggerated features (the swan neck and missing ribs) we want to incorporate. Still toying with the facial features, one idea right now is to incorporate fake eyelashes, albeit snipped to fit, particularly for the one winking, leering eye. We wouldn't want anyone to think this was a genuine Saint, oh no, that would never do.

Part 1 / Part 2 / Part 3Part 4