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Celebrity Skin 3
George Cruickshank: British Valour and Yankee Boasting (detail) 1819
Breaking down my observation and response to Cruickshank's painting a number of factors stood out. The original has a strong sense of symmetry to the overall layout, distributing the multiple activities within a defined grid system. The use of squares and boxes are a repeat element throughout, from small structures to larger buildings and title plaques scattered across the seemingly chaotic (but actually ordered) landscape.
George Cruickshank's The Worship of Bacchus (detail) / image courtesy of Tate
Most striking of all is the retreating depth of field; ornately framed and loosely defined as fore ground, middle ground, rear ground and backdrop. To me this conjured theatrical connotations, while I also felt strongly that Cruickshank’s cartoons were reminiscent of the pen-and-wash style I’d seen employed in vintage toy theatre puppetry: from swashbuckling pirates to pantomime dames in teetering wigs.
Mr. G. French as Harlequin / image courtesy New York Public Library for the Performing Arts
On looking further into the history of toy theatres, I learnt that as a form of home entertainment they were reaching their peak of popularity at the same time Cruickshank was working (mid-to-late 19th Century); first as miniature souvenirs of actual live productions but soon developing into an affordable, mass-produced artefact and pursuit beloved of both children and adults.
Pollock's Toy Museum
Research trips included the musty, labyrinthine interiors of Pollock’s Toy Museum, the great glass cases at the V&A Museum of Childhood, Pollock’s Toy Shop in Covent Garden (I defy anyone not to make a purchase on visiting), and the raucous, mechanical funfair diorama held as part of The Museum of Everything’s Exhibition #3 displayed as part of the collected ephemera of Sir Peter Blake.
Picture plate from George Speaight's The History of the English Toy Theatre
As odd as it seems, I’d actually tracked down a rare edition of George Speaight’s The History of the English Toy Theatre a few years back during a late-night eBay graze, only for it to sit unread and untouched until needed. It turns out this book is pretty much the bible of all areas related to this form of juvenile entertainment, so I was able to swot up and chow down on this fascinating topic.
Part 1 / Part 2 / Part 3 / Part 4